ALGORITHMS

Brooke has it all: the job, the flat, the girlfriend… but what happens when things go tits up just before your 30th birthday?

Hopeless romantic Brooke is the algorithm writer for a dating app - she literally codes attraction - so when she finds herself unexpectedly single, she decides to give the science of love (online dating) a chance. A bisexual Bridget Jones for the online generation, this tragicomic one-woman show and its lovably hapless heroine is for anyone who’s ever felt like they were too much, and not enough at the same time.

‘ASTONISHINGLY ASSURED AND PRACTICALLY BROADCAST READY.’

The Guardian

  Written and performed by Sadie Clark (12 Theatre Stars for 2020, Guardian) and winner of the TV Foundation’s Netflix supported ‘Stage to Screen’ New Voice Award (2020), this touching and hilarioius sell-out show was developed on the Soho Theatre Writer’s Lab and longlisted for the Tony Craze Award (2018).

‘INSIGHTFUL, HILARIOUS AND EVEN A LITTLE BIT HEARTBREAKING’

★★★★★
Deadline News

‘MOVING, PROFOUND AND HILARIOUS.’

★★★★
Wee Review

‘An IMPECCABLY POLISHED PIECE OF WRITING.’

★★★★
The Upcoming

REVIEWS

“…astonishingly assured and practically broadcast-ready… it’s sweet, sad and, as performed by Clark herself, full of heart – with more than a touch of Miranda Hart too. By rights it should have reached Fleabag-sized audiences by next summer.”
- The Guardian -

“Clark portrays each phase of Brooke’s journey toward self-acceptance with a bracing honesty and fearlessness. She is a talented solo performer... insightful, hilarious, and even a little bit heartbreaking, Algorithms is definitely worth a top spot on your Fringe Festival to-do list.” 
- ⭐️⭐️⭐️⭐️⭐️ Deadline News -

“the humour of Bridget Jones and the compelling honesty of Fleabag”
- ⭐️⭐️⭐️⭐️⭐️ The Scottish Play Blog -

“beautiful and painfully truthful”
- ⭐️⭐️⭐️⭐️⭐️Within Her Words -

“moving, profound, and hilarious… manages to leave the audience both a little bit heartbroken and optimistically rejuvenated”
- ⭐️⭐️⭐️⭐️ The Wee Review -

“an impeccably polished piece of writing”
- ⭐️⭐️⭐️⭐️The Upcoming -

"a bold and exciting work… [Sadie Clark] has the audience roaring with laughter… but also has them drawn in and emotional..."
- ⭐️⭐️⭐️⭐️The Spy in the Stalls -

“An impressive debut”
- ⭐️⭐️⭐️⭐️BritishTheatre.com -

“In a Fringe where almost every press release for a one-woman show is labelled ‘the next Fleabag!’, Sadie Clark has the most compelling claim to that throne”
- ⭐️⭐️⭐️⭐️Edinburgh Festivals Magazine -

“Funny, unique, and touching”
- ⭐️⭐️⭐️⭐️ Young Perspective -

“instantly grabs and sustains a connection”
- ⭐️⭐️⭐️⭐️ British Theatre Guide -

"Touching upon all the prevalent themes of identity, maturity and sexuality, Sadie Clark brings Bridget Jones into the present day with wit, charm and pin-sharp insight." - On The Beat -